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Showing posts with label sci-fi. Show all posts
Showing posts with label sci-fi. Show all posts

Immersion: A Musical Journey into Interactive Storytelling



When I wrote Immersion, I didn’t just hear the words on the page—I heard the songs, the incidental music, the rhythm of the story as it unfolded. From its inception, Immersion was more than just a written work; it was a musical. Each chapter emerged alongside the compositions that gave it life, creating an intricate dance between storytelling and sound.

Because the story was structured as a series, I had the unique opportunity to develop each chapter individually, crafting the music as an integral companion to the narrative. This approach allowed me to blend mediums, ensuring that every moment in the story resonated with its own sonic landscape.

But I wanted more. I envisioned Immersion as a fully interactive online experience, a concept that took root at the beginning of the COVID-19 pandemic. At a time when the world was confined and disconnected, I sought to create something that would transcend the limitations of a static page—something that would engage, inspire, and transport the audience into the very fabric of the story.

The journey to bring this vision to life has been long and filled with experimentation. I explored various media, navigated the complexities of interactive book design, and searched for cost-effective yet high-quality production methods. Even as lockdowns lifted and life returned to normal, I remained steadfast in my commitment to an immersive, multi-sensory storytelling experience.

Now, after years of dedication, refinement, and innovation, I am thrilled to announce that The Book of Immersion, Volume 1 will be released this April. This marks the beginning of a new chapter—not just for Immersion, but for the way stories can be told, experienced, and lived.

Stay tuned, and watch this space. The journey is just beginning.




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Strata 12, Immersion V1, Shabra and the Basement People (Emotions)

Strata 12

Shabra and the Basement People

(Emotions)



The Book of Immersion

Volume 1



www.taletellerclub.com

CDM music by Tale Teller Club

Illustrations by iServalan Homotech 23

Welcome to our world.



© 2024 Sarnia de lamaré Tale Teller Club Publishing






I searched the globe for want of you,

A friend to call my own,

My space,

A tribe,

Was this the place?

Was I really home?

And there you stood

A tree of hope

Arms outstretched

To envelope

My ravaged body

Savaged mind

This soul so lost 

And you so kind.





Most humans progress through life along a path created by the society and culture they are part of. Existentialism emphasises individual existence, freedom, and choice. Androids and machines are essentialists, focusing on the inherent nature or essence of things and the assumption in fundamental unchanging truths. 


Emotions are vital to help humans learn and make decisions. Feelings are experienced constantly from birth to death. A newborn baby is emotionally involved with its mother as soon as it understands she is a valuable source of food and comfort. The emotional attachment is instantaneous and intuitive.


Human emotions are essential to consistency, being part of a social group, and staying safe.


Androids have successfully been programmed with 'visceral-like' responses but these are mimicked, in essence, they are faked. Androids are trained to respond to their owners' emotions as they are not able to understand emotions themselves through their lens. Such models are trained to respond to human physical cues such as odours, pupil changes, vocal idiosyncrasies etc, and to reciprocate. We could call this 'fake empathy'.


Automatic robotic vehicles do not fear the crash, they simply know that a collision is not desirable for the ongoing success of the mission in hand.


Welcome to Immersion, You Have Reached Strata 12.


'We should get some infon on any preds,' Shabra said, thinking hard about the best time of night to get to the edge, which was renowned for tribal and gang flashpoints


Renyke asked the POS to translate.


It would seem that Shabra is gathering helpful information to aid our journey


Renyke was uncertain what to do. This feeling was becoming all too familiar and quite at odds with his hitherto programmed assuredness.


'You coming or what?' Shabra asks from outside the car, leading the way to a set of stairs that led down into a noisy basement.


The robodog wagged its tail and sat importantly on the roof of the vehicle looking around and growling.



Shabra knocked on a large door and a camera was activated above them. They were being scanned.


The door opened suddenly and a large man with a long beard frisked them before allowing them entry.

Renyke, not used to any sort of frisking in his past life, was sensing increasing anxiety. 


The POS was idle.


'Welcome brother,' the guard said to Flex. 'Are you well?'


'Fine, just fine, my friend,' Flex answered, 'We continue unabated to live another day. Vilarev!' 


Both men laughed convivially whilst Renyke wondered what had amused them.



They enter a meeting place, some kind of bar. It is thick with smoke, the smell of nibs, sweat, and the streets. 


A woman approaches chanting poetry with her arms outstretched. 

'The sun shines bright when you let in the light, welcome, my sister of the night.' There is more convivial laughter.


She embraces Shabra and they exchange warm greetings. Excited to make new acquaintances the woman beckons the group to sit at a table.


'Ah, come, come my friends. I have a perfect place for you to sit, and please, be my guests at the bar.


The woman beckons a member of staff. 'Let's have liquor.' she says, 'bring my best for my new friends.'


Renyke asks the POS for details about the venue, the location and the owner but it makes little sense, stuttering and breaking up.


.......data, unavailable..... scrambled, information 


'How come these places aren't mapped?' Renyke asked Shabra. 


'Mr Renyke, you ask too many questions. 'Hiding is surviving.'


'Yes,' interjected Flex, 'and we move, we move often. The key to freedom is movement.

Nothing is permanent. Only your lungs and your heart. Only your breath and when that's not permanent, you're dead and you're ready for the metamorph.


'And we know not where that will take us for certain.'


Renyke checks the POS with an improving signal.


.....Urchs believe in various spiritual concepts but little has been documented. Oral traditions and faith seem to be passed from parents to children. I will attempt to decipher the information at my disposal.

It would appear that they believe in the existence of dissatisfied or pained ghost-like entities from the future. 

Urchs believe that death is not the end, merely a manifest alteration, referred to as the third life. This third life is fiercely protected with love because hate manifested in individuals will be carried to the next stage.


They also believe that hate is so powerful that it can control what the yet-unborn will do in the future. Hate becomes a circular energy that rotates between past present and future, forging an eternal and devastating cycle of ruin across several dimensions of existence. The dead are responsible for the living, the living are responsible for the future born. To honour this mantra, enlightenment and love are the only tools required to ensure human success.


.....Urchs also believe that taking drugs or mind-altering ingested compounds will help them understand what is 'real real' and that the stresses of daily existence mask these realities and render them misunderstood. Urchs believe that getting 'high' enables them a greater understanding of truth, and even an ability to meet the entities or ghosts of the future.

'We shouldn't stay here too long, and you shouldn't get high,' said Renyke, looking at Shabra who was drinking the free liquor.


'You are so uptight Mr Renyke.' Shabra winks.


There is a brief conversation between a man and Shabra that Renyke cannot understand.


The POS has lost signal so Renyke turns to Flex.


'What is this dialect?' he asks.


'Ah, that is zone speak, with some colour changes for the Urchs. We have our own code see.'


Shabra rises, 'Let's Go! I think there is some trouble around tonight.'




Outside a small urch child sits on the bonnet of the car.


'Can I come too?' the child asks excitedly.


'No man, This is grown-up stuff. Come see me tomorrow, now fucksyoff.'


The child jumps off the bonnet, hugs Flex, and runs away


There is a flurry of drug and weapon traders who are hustling for sales.


Finally, they are all in the car. There is a sense of trepidation as they drive in silence to the underpass through a thinning crowd. The child appears again on the bonnet, facing forward and singing with a fist raised.


'No sweat,' says Flex, 'we will get him off the other side. He does no harm, annoying is all.' 


Suddenly there is an almighty bang and the child on the bonnet is shot. Its guts are all over the windscreen, blood drips down the glass and the crowd scarpers.

Everyone on the street is screaming.


The POS engages



.....99% likelihood of robbery, ambush, death. This is a red alert! You must take action! Repeat, red alert!


There is a man in front of the car pointing an AK47 at Shabra's head.

Two other men flank the vehicle and bang rhythmically on the windows.



'Bastardos gang aint getting my vehicular', shouts Shabra.



to be continued...


©2024 Sarnia de lamaré FRSA

'It' by Sarnia de la Mare #poem #scifi #fantasy

It


My morning swim wreaked havoc

on every cell of my sleepy skin.

As the silver water lapped around me 

the black night faded

with a hungry sun,

and together we took the day for ourselves.

Me, the light and the sea.


It begins,  

as many things do,  

with a shadow.

I held my movements 

treading water with the stealth of a crocodile.

Waiting, watching.

I know it is there, under the water.

It is coming closer 

feeding off the deafening beat of my heart as it ripples the mercury surface.

There was a sound I had not heard before.

Baby cries and angel wings echoed in a ravine.

And I listened hard 

in an ominous wait for what was next.


The shadow rises, wraps itself around my torso

and tries to pull me down.

A rampant seaweed with a killer motive

Strong like father,

Invisible.

I remembered the shark warnings

Play dead 

Eyes closed and limp

dreading the outcome 

I sank into the power of the beast

as it thrust me up out of the water

into the sun like an offering of life

on a jet of black oil.


And suddenly I was gone,

It and I were one



©2024 Sarnia de la Mare



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